DIVERSITY | UNIFORMITY

Over the last two years I’ve been learning a wide range of printing techniques; Etching, Lino, Collographs, Drypoint, Wood block printing and Solar plates. This exploration of techniques through the printmaking world, has allowed me to convert my drawings and sketches into works of art. I’ve gathered quite a collection over the last 24 months and I’m exhibiting a few at an upcoming exhibition at The Hazelhurst Gallery in Gymea.

21 printmaking artists will be showing a small selection of works. The exhibition will also include some of the plates that we use so that viewers can understand how the prints are made.

Here is a link to the catalog that one of the artists has put together.

http://www.youblisher.com/p/1057980-Diversity-Uniformity/

The exhibition runs from the the 5th – 18th of February. Opening is at 2pm on the 7th of February 2015.

More info can be found here- http://southernprintmakersassociation.com/whats-on/exhibitions/

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THIS IS NOT PHOTOGRAPHY: SURREALIST STORY TELLERS JERRY UELSMANN & MAGGIE TAYLOR

I’ve just finished watching Jerry Uelsmann & Maggie Taylor: This Is Not Photography. a documentary released by Lynda.com

and I can’t believe that I’ve never come across Jerry Uelsmann’s work before.
During the 1960s at a time when most photographers were focused on documenting reality, Uelsmann began exploring creative compositions in the darkroom with his photographs. Unlike Cartier-Bressons view, Jerry Uelsman’s decisive moment doesn’t occur at the click of the shutter, they happen in the darkroom. By using multiple enlargers, combining multi exposures and sandwiching negatives together he began making dreamscape compositions that got him his own one-man show at the Museum of Modern Art in 1967.
The fixed image on a piece of paper is an antique photographic process which he has managed to keep fresh even in todays modern digital age. I love the way he describes the magic moment when the developer reveals the image in the liquid bath. I’m so glad that I had the opportunity to experience that when I studied photography at Uni. It makes me wonder how many students if any have that chance now that we have the convenience of digital cameras.
Jerry Uelsmann

Whilst his images pre date photoshop, his partner Maggie Taylor embraced photoshop back in the early Adobe days and also creates surrealist images that are oddly bizarre and magical. She scans items and he photographs items on a light table. And together but separately they lean on each other for advice and inspire each other to work in their own mediums. He in the darkroom and she on the computer. A Lovely partnership or art, love and companionship.

maggie_taylor

Here is the preview:

SKIES PAINTED UNNUMBERED SPARKS

skiespainted

Janet Echelman creates interactive artworks that are breathtaking and inspiring, watch the TED talk by Janet Echelman: Taking imagination seriously.

Excerpt from Ted Blog:

These were some of the comments heard at TED2014 about Skies Painted with Unnumbered Sparks, a collaboration between sculptor Janet Echelman and data artist Aaron Koblin. This monumental sculpture stretched 745 feet, from the Vancouver Convention Centre where TED was held, over an open-air plaza on the edge of Vancouver Harbor and up to the top of the Fairmont Waterfront hotel. Every night while the temporary sculpture was installed, from March 15-22, 2014, dozens of people could be seen across the street setting up cameras and tripods to capture the glowing spectacle. Meanwhile, underneath the sculpture, even greater numbers of people gathered, most of them with their phones out. Using a phone, they could draw lines, squiggles, webs, and water drop rings onto the sculpture’s lush purples, blues, pinks and oranges.

Aaron Koblin: Visualizing ourselves … with crowd-sourced dataAaron Koblin: Visualizing ourselves … with crowd-sourced dataKoblin, of Google’s Data Arts Team, told us a little about how it worked.

“The lighting on the sculpture is actually a giant website,” Koblin says. “It’s one huge Google Chrome window spread across five HD projectors. The content is being rendered in WebGL. It uses Javascript and shaders to render particles and sprites based on user motion, which is transmitted from mobile browser to our rendering browser via websockets. There are a lot of moving pieces here, from the local area network to the server (written in Go), to the sound system (also running in Chrome with Web Audio API) all the way through the LED light control system, which pulls pixel data directly from the browser.”

RESONANCE FREQUENCY

This is pretty amazing! A resonant frequency at different levels creates patterns. Reminds me of the geometric shapes that occur in nature and the fibonacci sequence…must be related some how.

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